“How I do it,” part 1: time-management tips for poets

March 9th, 2010

What’s the most common question I get asked? Without a doubt it’s “how do you do it all?” From week to week I work as a lecturer (which means heaps of marking and liaising with students on top of my scheduled teaching hours!), read for a PhD, run this blog, help co-ordinate this collection, make jewellery, run an online vintage store, organise/attend/read at events, edit a magazine (Read This is coming back soon!)… and on top of that I have to try to find time to write, edit and send out my own poetry. Perhaps unsurprisingly, everyone wants to know what the deal is — do I just not sleep?

Personally, I put all this stuff down to failings in myself, rather than to success — one, I am really bad at saying no. I get asked to do something, and often I know I have no extra time or I might be double-booking myself, but a little voice always says “hey, this would be really fun!” and I just go “yep, OK!” without really thinking it through. Then I’m committed and just have to do it! And two, I am allergic to downtime. A free day to lie on the sofa in my PJs and watch Sex and the City? That’s something other people look forward to, but it’s my idea of hell. I like to be busy ALL THE TIME, and frankly… well, that’s a bit weird, right?

However, there are positive factors that contribute to my ability to juggle loads of things at once, and one of them is time management. So since everyone keeps asking, I thought I’d pass on one or two things I’ve learned, picked up or fallen into the habit of doing. It might help to explain how I keep all those juggling balls in the air… and sleep, too!

Boycott TV.
I think I’ve said this before, but I really hate watching TV. It feels so utterly unproductive — sitting staring at a box in the corner, not really ‘doing’ anything, not even really thinking about anything. For nearly a year I lived without a TV in the house and my creative, poetic output was higher then than at any time before or since — TV really is a time thief, and it’s an inspiration thief too.
It can be a hard habit to kick though, even when you know it’s a waste of your time. But living with a Boy who loves his Top Gear and X Files, I’ve learned that the TV doesn’t necessarily need to be off for you to be productive. Sure, you probably can’t write poems while Jeremy Clarkson’s power-sliding a Lambo in your living room, but what about your blog, or hey, the ironing? I do most of my ONS-updating and jewellery-making and shop-tidying in front of the TV. Think about it: you’re essentially sitting still, doing nothing, potentially for hours. That’s a big chunk of time that could be spent doing other stuff… instead of/as well as worshipping at the altar of Clarkson.

Accept procrastination.
Like death, taxes and James Patterson novels, procrastination is just a sad fact of life. It is going to happen to you, and it is probably going to attack you right when you could really do without it. You know how cleaning all the skirting boards suddenly becomes a major priority right before a big deadline? You can’t stop that from happening, so accept it. The key is to monitor and channel procrastination rather than trying to eliminate it altogether.
What do I mean by monitor? Mainly, watch the clock. There’s nothing worse than thinking “oh, I’ll just have a quick look at my Twitter…” and the next thing you know, you’ve wwilfed away three hours of your day. By all means go look at your Twitter, but do so thinking ‘in fifteen minutes I’ll get back to work,’ or whatever. If I have a big deadline or a task I need to get done but really don’t want to do, I even — and yes, this is pretty sad, but it works — timetable procrastination into my day. Eg. once I’ve written 1000 words of That Essay, I reward myself with 15 minutes of GoFugYourself.com (yes, guilty pleasure!), or something else mindless. As for ‘channelling’ procrastination… why not make it work for you? You want to do something — anything — other than the task at hand? OK then, go reorganise your inbox for a while. Go call someone you’ve been meaning to get in touch with for ages. Do something that’s technically procrastination, but also useful. You’ll feel less guilty about it and it’ll probably prove more productive than trying to get on with The Task while also itching to time-waste.

Write to-do lists.
I am the QUEEN of to-do lists, mainly because I have a terrible memory and WILL forget to do something vital if I haven’t written it down. My to-do lists are hilarious and horrifying — they’re prioritised and everything. For example, the lesson plan for my Wednesday class has to be done by Tuesday night… so that’s high up on the week’s list… whereas updating ONS (though more fun, generally) can be done whenever, so that goes lower down. And so on. But writing a to-do list is only useful if you follow through… writing it and then losing down the back of the couch helps no one. I keep all mine in my diary (more on that in a second), so they’re in one place and I look at them often. I also cross things off when I’ve done them, and I think this is the most important bit. There’s nothing quite like crossing off Terrifying Mammoth Task and knowing you can forget about it. There’s also nothing quite like coming to the end of the list and having nothing else to cross off… because then you can go to the pub!

Keep a diary.
I don’t mean a spill-all-your-heartfelt-secrets kind of diary, though hey… if you like! I mean a business-y, what-am-I-doing-today? kind of diary. I learned the power of a diary when I was working as a legal secretary a few years ago — I was in awe of the fabulously kick-ass female lawyers I worked with. They were always so ‘together,’ so prepared-for-anything, and I soon learned that was because they ran their lives through their diaries. They would refuse to make an appointment — or, sometimes, a decision — without first checking their diary. Now, I am never without mine (a softcover Moleskine planner. Get one, for they are amazing!), and if it’s not written in there, it’s not happening. I’d advise you to invest in one with week-to-a-page layout but also space for notes (mine doubles as a writer’s notebook so I only have to carry one book around with me), because then you can see how your week is shaping up all at once. Recently, I’ve started blocking out a free afternoon — or even a whole day — if my week’s starting to look very busy. I know I need time to mark at some point; I know I need time to clean my house, etc. If the page is filling, I’ll draw a line through a section of time to make sure I can do that. I’ve also stopped double booking myself, which used to happen all the time (that whole unable-to-say-no thing). Diary management might seem like a chore, but it’s a good idea. And I usually do my diary-updating on the bus… another section of otherwise empty time used up!

Unplug your internet.
Since I’m probably starting to sound a little pathological, here’s a tip that I’m still struggling to master. I spend a LOT of time online and not all of it is productive. Don’t get me wrong, I’m not one of those people who never goes outside or never uses a phone or never speaks to anyone in real life or doesn’t enjoy things that don’t involve my broadband connection, but I do sometimes wonder if I could benefit from unplugging my modem a little more often. A while ago I was speaking about this with one of my tutors, who told me that he tries to go internet-free for one full day every week. I really liked this idea and have been trying to do the same myself ever since. The results are still variable, but I do feel like every time I try this I’m clawing a little of my life back from the jaws of Virgin Unlimited and the information super highway. Regardless of how often you’re online, chances are you could benefit from lowering your internet intake, too.

Don’t do addictive stuff.
And on the internet topic… don’t do other addictive stuff either. Generally, things that are addictive are bad for you — even being addicted to exercise is potentially harmful. Addictions are also a waste of your time — Boy is a reasonably light smoker, but even so he probably spends an hour a day on the front step with his Lucky Strikes when you add it all up. And other addictions are even bigger time-eaters. Computer gaming, for example… yes, it’s downtime, but it’s just as pointless as TV. How about actually going bowling instead of Wii bowling? Are you telling me the pixels really match up to the real thing? Sure, Wii bowling is free but how much did you spend on the Wii console and your big-ass TV screen? Addictions are bad, we all know this. Spend the odd Saturday night not in the pub. Back away from the Sudoku. Switch off your bloody iPhone. See what else you can find to do with that time.

Get up early.
This one’s a no brainer — get your butt out of bed earlier and you will get more stuff done. Don’t worry, I’m not one of these nutters who thinks everyone should get up at 4am and force themselves to write ten poems before breakfast… but 8.30am is not an unreasonable hour, and staying in bed till noon can only result in guilt, not enough time in the day for everything you want to do, and a messed-up sleep pattern. On that topic: trying to burn the candle at both ends and staying up til stupid o’clock trying to get stuff done is also pretty daft. Your body is just not productive at 3am, Red Bull or not. Better to get a decent night’s sleep and get up a bit earlier to work on your projects than sleeping til the afternoon and then burning the midnight oil. I usually sleep from around midnight to around 7 or 8 in the morning. I’m most productive in the evening. I manage my time around this stuff and it all seems to work. Know yourself properly in terms of when you can work intensely and when you need to sleep, and plot accordingly.

I’m always interested to hear other people’s time management tips, however loopy! So let me know what you do to keep all your own juggling balls in the air! & watch out for Part 2 soon :)

(Photo by sleepy terry)

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Inspiration Corner

March 8th, 2010

Happy Monday!

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ONS housekeeping…

February 28th, 2010

The photo above is a snapshot from my living room right now. I’ve been on overdrive producing statement necklaces for a craft fair I’m exhibiting at next weekend. Most of these beauties are up at the store in the meantime, too, if you see anything you like!

But although my living room is a total mess, ONS is not! I’ll admit, I had kind of let it go to rack and ruin recently, and for that I apologise! The One Night Stanzas Store was still advertising Christmas deals and sold-out pamphlets, and my bio was seriously behind the times! But if you look at the top right-hand corner of One Night Stanzas‘ homepage now, you’ll see it’s all been tidied up a bit.

The One Night Stanzas bookstore is no more. Sorry guys — blame yourselves! You all nagged me for a cheap place to buy poetry books and then no one bought any! However, One Night Stanzas does still have a Store page — you can still grab the Read This Press jewellery and pamphlets by following this link.

“About One Night Stanzas” and “About Claire” have now been merged — they’re just About now. And “Contact” has become Contribute — so if you want to send me something, ask me something, give me feedback or write something for the blog, that’s now your place.

While I’m here I just want to say two more things…

One, I’m sorry for the slow-down in postings over the past little while. My life is becoming increasingly busy, hectic and exciting, with so many projects to work on, events to attend and so on! I’m now teaching at college and Uni, reading a PhD, working the performance poetry circuit, helping to co-ordinate this collection, making jewellery, editing chapbooks, judging poetry contests, working on major poetry commissions and preparing for the return of Read This Magazine in not too long a time… plus trying to find time to write! It’s insane, but fantastic. But it does mean One Night Stanzas has to take a back seat sometimes.

And two? Thanks so much for sticking around, reading, commenting, sending me links, following me on Twitter, inviting me to read at events, sending your books for me to review, recommending stuff and doing everything else that you do. You guys rock.

Procrastination Station #63

February 26th, 2010

So, it’s been ages since the last procrastination station (sorry)! Allow me to make up for it…

OK, first thing’s first — I had a poem published by The Guardian yesterday!

Famous writers’ rejection letters.

How to use a semi colon.

Poster poems: alliteration

A great article on the difference between self publishing and vanity publishing.

StreamofPoetry: every poetry tweet in one place (thanks Paul!)

Your first look at the Howl movie (James Franco has Ginsberg’s voice totally down. I am SO excited to see this movie!)

I love the Rejectionist.

I loved this satire of Cormac McCarthy’s The Road

…and in a similar (though less serious) vein, How Twilight Works

An amazing book cover — and more at Chainsaws and Jelly.

Found online this week: The Student mentioned Read This Press! // Col took inspiration from my anagram poems, and wrote some of his own // my jewels appeared at Chainsaws & Jelly! // Swiss responded to this post by writing a poem! // Mairi also responded! // Howie Good’s new book has the best blurb ever! // & more on his books // Jim Murdoch on Bukowski // a Chris Lindores poem illustrated… and some other stuff he’s been up to // the Carry a Poem ladies at the BBC! // & two happy customers with their Read This Store purchases!

Chainsaws & Jelly are seeking submissions from creative types… that sounds like you lot!

Some Banksy artwork you may not have seen…

Can I have one of these, please?

A monster collection of Moleskine hacks

Rare photos of famous people (thanks @JFDerry!)

Amazing walking wind-powered beach beasts!

I want to live in this house.

There’s new stuff at both my shops — Edinburgh Vintage and the Read This Store!

& finally… the fabulous Vanessa Hidary

T shirt war!

& I love this song, and its video.

(Photo by Powerhouse Museum Collection)

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Things I’m Reading Thursday #6

February 25th, 2010

And look! It actually IS Thursday! A triumph! Anyway… here’s what I’ve been reading this week.

Alan Massie, Surviving
A murky and complex tale of murder, addiction and the risks behind getting involved with strangers. Part murder mystery, part morality tale, part sequel (the book features Belinda, the heroine of one of Massie’s previous works, and is set in contemporary Rome, obviously a favourite setting of his), Surviving follows the fortunes of a group of dysfunctional ex-pats pulled together by their Alcoholics Anonymous group. The book is an interesting study into relationships built on nothing more than a shared addiction, and it raises questions about morality and trust at every turn. Unfortunately, however, I was kind of turned off by Massie’s characters. The book is excellently written and Rome is minutely and affectionately depicted (to the point where I now want to go and live there!), but the characters came across as unrealistic and fantastical — all of them troubled ex-alcoholics, but all of them living serene, job-free, rich and glamorous lives in Rome? Really? As a result I just couldn’t get a handle on the book and found myself increasingly irritated by the unfolding plot, rather than drawn in. A book I may return to (you know how sometimes you feel “I didn’t get this, but I might if I read it again”?), but not one I would recommend…

Rachel Cusk, The Bradshaw Variations
A bittersweet and slightly strange family saga, following the fortunes of three brothers and their families as they negotiate middle-age, marriage and parenthood (yeah, sounds like a terrible British sitcom, I know. Bear with me). Thomas, the novel’s protagonist, is delightfully frustrating and highly elusive – Cusk skilfully sketches his character in such a way that the reader is desperate to understand him but never seems able to. Does Thomas love his family at all? Is he actually gay? Why is he so detached from everything but his piano lessons? Cusk’s main intention seems to be to point out that even the most ordinary – indeed, even the most boring (as all the characters’ lives are by turn ordinary and just plain dull) – of people can be fascinating when only a small snippet of their personality is revealed. The characters in the novel are beautifully drawn, and the power-struggles between husbands and wives, mothers and daughters (Thomas’ bitchy mother-in-law is fabulously hateful) and brothers and sisters are brilliantly realised. However, the novel is essentially plotless and ultimately pointless as its dedication to depicting ‘real life’ means there can be no climax, no big reveal; so for all the Bradshaws, life just goes on. A beautiful and accomplished piece of literary fiction, and surprisingly gripping for a book where very little is challenged or resolved. The kind of book I sort of wish I could write — one that really sounds like real life, but manages not to be boring. Well done, Rachel Cusk!

I’ve also been reading/encountering a lot of Marty McConnell lately, but that’s for another post. What about you?

(Photo by Luis Montemayor)

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The Sentinel Literary Quarterly Poetry Competition

February 17th, 2010

Very exciting news: I have been asked to judge a poetry competition! The Sentinel Literary Quarterly is a fabulous London-based magazine dedicated to publishing world literature: everything from poetry to plays, essays to reviews. Every quarter, they hold a poetry competition with a top prize of £100, to seek out and reward great writing. And I’m very pleased to announce that for the latest contest, they’ve asked me to be their poetry judge.

The contest is open to all — you can enter regardless of age, experience or your location in the world. The only rules are these:

* Poems must be 40 lines or less
* They only accept submissions in the English language
* Poems must be typed
* Identifying marks must not appear on the poems themselves
* You have to include an entry fee of £3 per poem — OR take advantage of a discount: 5 poems for £12.

What could you win?

* The first prize poem wins £100 and publication in Sentinel Literary Quarterly
* Second prize is £60, and third prize £40 — plus publication in Sentinel Literary Quarterly
* A further twelve highly-commended poems will also be published in the magazine

There are more details of how to enter, how to present your poems and what you can win here, at the competition’s homepage. The closing date is THURSDAY 25TH MARCH 2010 so get scribbling!

What will I be looking for?

As the contest’s judge, I’ll be looking for a variety of things in the winning poems. Firstly, a strong and original voice — any subject, however old and tired, can be reinvigorated by a fresh perspective, an engaging voice. I’ll also be looking for excellent wordsmithery — not necessarily anything flashy, but signs that the writer knows what language is all about, and how to weild it. I want ideas that make me think “damn, I wish I’d thought of that!”, and turns of phrase that excite and inspire me.

I know that so many of you ONS readers have the power to write work like this — I definitely think you’re all up to the challenge, and hey, I know none of you would say no to a free hundred quid, right? So I hope you’ll all get yourselves to the contest page and enter your work. This is a great contest: there’s no theme, and apart from length, no formal contraints. I’m excited to sift through what I’m sure will be a melting pot of themes, ideas and voices. Make sure yours is part of it!

Find out more about the contest, and enter, here. Good luck!!

NB: Please note YOU CANNOT CONTACT ME DIRECTLY regarding entries to the contest, or I won’t be able to judge your work fairly and you’ll have to be disqualified. You’re welcome to tell me you’ve entered, but you can’t tell me anything more than that — if I have even a vague idea of which poem is yours it could totally upset my judging. If you have queries about what you can/can’t send or anything else to do with entering the contest, you need to go to the contest website and iron out the problem with them. Sorry!

(Photo by there is sun in my eyes)

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Inspiration Corner

February 15th, 2010


I love octopi. Happy Monday, all!

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Things I’m Reading Thursday (ish?) #5

February 14th, 2010

Obviously this whole Thursday thing is not working. Hopefully one day it WILL work, as ‘Things I Love Sunday’ doesn’t, somehow, have quite the same ring to it. Anyway, onward and upward…

White is for Witching by Helen Oyeyemi
OK, where better to start than with a rant, eh? Why oh WHY has this trend for whimsical, naive book covers come along, set up camp and refused to move on? I am really sick of being instantly put off a book because it has a cover that looks like it belongs on the front of something written for the female 8-12 age bracket. STOP IT, publishers! I mean, look at this cover. There are FAIRIES IN THE TREES. I mean it’s pretty, yes, but if you read the book, you’ll see how off-base the cover really is. Gah!
OK, there. Rant over. On to the book itself…
I’m seeing a pattern here, but as usual, I was not expecting to like this novel. The cover, as you may have already gathered, had a lot to do with it. But the person who wrote the back cover blurb should also be sacked (I think they were trying to mirror the book’s own stop-start, staccato narrative, but they just sounded a bit silly). Basically, I eventually gathered that it’s a modern take on the classic Gothic novel… and imagining a bastardization of all the Gothic books I’ve ever loved (why can people not just leave Wuthering Heights alone?!), I held my nose and prepared for horrors.
It’s actually not that bad. It’s not utterly fabulous and I probably won’t read it again, but it’s A Good Read. The story’s protagonist is supposedly the absent Lily — killed while undertaking aid work (I think; this is never made very clear) in Haiti. The four narrative ‘voices’ (promised by the blurb anyway — I only counted two, or possibly three, myself) are actually her children, twins Eliot and Miranda, her husband Luc, and their big creepy ghostly supernatural house/B&B, which not only talks but also eats people.
I say ’supposedly’ because I actually think the real protagonist is Miranda — her storyline is dominant, and I was far more interested in what she had to say than anything to do with her mother, who at times felt a bit like a cariacature… her absence allows Oyeyemi the freedom to be lazy in terms of depicting her, and you can sometimes feel that. Miranda on the other hand is very vivid, and fascinating — she suffers from pica, a rare eating disorder where the sufferer is compelled to eat inedible objects. I liked the way Oyeyemi used Miranda to strike a balance between traditional Gothic themes and contemporary female concerns. I also like the subversion of the Big House theme from Gothic literature — traditionally, the Gothic protagonist is trapped in a Big House which seems to be somehow alive and plotting against them. Here, the house really is alive, really is plotting against Miranda (and everyone else for that matter) — it’s also muscling in on telling the story, the ultimate unreliable narrator. That was the main thing I liked about this novel — on the surface, it was just a rather weird, dark little tale. Underneath, though, it was quietly really rather clever.
I was surprised to see people lining up to criticise this book on Amazon, though I guess I can see why people might not like it. It’s dressed up in a pretty cover and looks like a cosy, quirky little book. In fact, it’s bloody dark and more than a bit difficult. The narration is very staccato, fragmented and sometimes needlessly weird (single words hanging in the middle of the page for absolutely no reason, etc), and the ever-present-but-never-present Lily is actually more sacharine than intriguing. However, I’m assuming that the OMG-I’d-have-given-it-zero-stars-if-I-could brigade are missing the intertextuality and clever little nods to classic Gothic… because no matter what you think of the original/annoying (delete as appropriate) narration, you can’t get away from Oyeyemi’s skillful use of both.

Loads of Liz Lochhead
I’m also currently reading loads of Liz Lochhead poetry and Liz-Lochead-related theory for my PhD thesis. I have absolutely loved Lochhead since I first read her aged about fourteen — she never fails to inspire me and every time I pick up one of her books I notice something new about a certain phrase, stanza or poem that had never occurred to me before. Right now I am writing in detail about her highly intriguing poem ‘Almost Miss Scotland’, one of only a few Big Poems of hers I’d never seen until this recent foray. She’s so much fun to read and even more fun to write about… plus she’s one of only a few Famous Poets that I’d really like to ask out for a cup of tea and a chat. I bet Liz would be great craic! If you’ve never read any of her stuff or haven’t really paid much attention to her before now, go hunt her out. She’s brilliant — and like the Beatles, her ouvre offers something for everyone, so if you don’t like one collection, try the next one. They’re all refreshingly different!
If you’re already a fan of Liz, then head to the comments box and tell me this: what is your favourite poem of hers? You may end up mentioned in my thesis!

So what have YOU been reading this week?

(Photo by nuitfunebre)

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Happy Valentine’s Day!

February 14th, 2010

Happy Valentine’s Day, ONS readers! Hope you have a fabulous time, whatever your romantic status!

(Photo by althani_1986)

Are you in (or near) Edinburgh? Want to make a poetry-inspired film for free?

February 12th, 2010

Fancy making a short film? Always wanted to try it but never knew how? Ever wondered if you could make a film using your mobile phone? Want to help us turn 100 short poems into films?

If you’re nodding right now, then good news — we can help! We are this collection — a project which aims to bring together local writers and filmmakers in collaboration — and we’re on the lookout for budding filmmakers of all ages and levels of experience to help us adapt our 100 poems into 100 short films. In order to help you become part of the project, we’re running a series of FREE all-day filmmaking workshops in and around Edinburgh.

this collection wants to attract filmmakers from all walks of life — from experienced directors with Hollywood aspirations to those of you who’ve never got behind the camera before in your lives. We want our selection of films to be as wide and diverse as the city they celebrate, which is why we’re offering YOU a chance to make a short film for us.

Our FREE workshops aim to take you from absolutely nothing to a completed short film in the space just one day. Guided by our experienced film co-ordinator Stefanie Tan, you’ll learn everything from the absolute basics of putting together your shots right through to editing your final short together. Stefa will show you how to make the most of the tech you’ve got (whether that’s a van-load of super-hi-tech equipment or just a phone with a video camera function), and give hints and tips on the best way to adapt your chosen poem. You’ll get the chance to go out and shoot your footage, and then learn how to edit it all together to make your film complete.

You don’t need any previous filmmaking experience, but if you have some, you can still come along — everyone’s welcome. You don’t need any fancy tech — again, just bring whatever you have and we’ll teach you how to use it to its full potential. You don’t have to come alone — if you have friends who are also interested in filmmaking, or if you want to work with a team, the more the merrier!

The first run of workshops will take place at Edinburgh’s Central Library on 17th and 24th February from 10am – 7pm. The workshops are totally FREE but we recommend bringing your own lunch (and snacks!) with you. Spaces are limited so if you’re interested in getting involved, drop us a line to film@thiscollection.com — we’ll also be able to help if you have questions or need more info!

Got a particular poem you want to adapt? Let us know in your email. If you want to get some ideas, you can check out all the poems on offer at http://www.thiscollection.org

Can’t make these dates? Don’t worry — we’re hoping to run further workshops in the next couple of weeks, so watch this space!

Hope to see you there,
Claire & Stefa

Facilitator
Stefanie Tan is a University of Edinburgh first class honors graduate in English Literature with a Masters in Science in Design and Digital Media. She was an educator for 6 years, English, Literature, Drama and Philosophy. Tan has produced award winning collaborative youth films for public exhibition, notably THE SECRET OF HAPPY CHILDREN, creative video reflections on what school and home mean to 5 youth (Silver, Student Video Awards); and produced several award winning 24 hour film competition submissions. She has recently published a chapter about nurturing creative communities by employing digital video in the classroom. She has produced and edited trailers and sponsor segments for Television as an On Air Producer. She also exhibited and designed an installation art project: ATTENTION: an experimental film edited purely by eye-tracking technology. TROPHY 2009 a short film made in Canada was received at 2 international film festivals. She currently is an ORSAS funded PhD student at the Glasgow School of Art researching collective creativity and radical education.

(Photo by the brownhorse)

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